Liudao Zhenhuang Temple is the pagoda head of Jianren Temple (the small temple in the big temple), which is intimately called "Lao Liudao" by Kyoto people. Near the monastery was once a funeral stop for the dead to be buried in the Bird's Border (a Hill southeast of the capital), known as the Six Road Pass, which is regarded as the dividing line between the world and the underworld. Six Taos are Buddhist terms, referring to the six kinds of underworld that common beings have to go to because of their good and evil actions before they live - "hell, hungry ghosts, livestock, Asura, human world, heaven. Legend has it that the well next to the main hall is the entrance to the underworld. Oeno (a peace-time nobleman) served the Emperor in the daytime and at night was ordered by the King of Yan. He traveled between the world and the underworld through this entrance. Every year on August 7-10, "Six Ways of Worship" is held here, and "Welcome Bell" is sounded to guide the souls of ancestors to find their way home.
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Liudao Zhenhuang Temple is the pagoda head of Jianren Temple (the small temple in the big temple), which is intimately called "Lao Liudao" by Kyoto people. Near the monastery was once a funeral stop for the dead to be buried in the Bird's Border (a Hill southeast of the capital), known as the Six Road Pass, which is regarded as the dividing line between the world and the underworld. Six Taos are Buddhist terms, referring to the six kinds of underworld that common beings have to go to because of their good and evil actions before they live - "hell, hungry ghosts, livestock, Asura, human world, heaven. Legend has it that the well next to the main hall is the entrance to the underworld. Oeno (a peace-time nobleman) served the Emperor in the daytime and at night was ordered by the King of Yan. He traveled between the world and the underworld through this entrance. Every year on August 7-10, "Six Ways of Worship" is held here, and "Welcome Bell" is sounded to guide the souls of ancestors to find their way home.
Je pense que ce lieu est un monument historique, mais je me sens très commun pour moi, surtout parce que son environnement n'a pas de sens de substitution, je pense que c'est encore dans un environnement plus moderne, donc rien.
Le sentiment est petit dans le crépuscule, mais il semble que certains objets culturels soient bons dans le crépuscule, il y a des objets comme des instruments ou des crépuscules, ou bien il vaut mieux le voir. Je pense que c'est aussi un endroit plus historique.
Ce lieu se sent généralement, peut-être avec une histoire à l'intérieur, mais l'environnement est très commun, il n'y a pas d'intérêt, il n'y a pas de sentiment très classique, je ne pense pas que ça m'intéresse.
Je suis toujours très bien ici, surtout avec un très bon garde-côtes, et ces bâtiments ont également le style de notre bâtiment de la dinastie Tang, très calme et très propre. Bon bébé.
Je suis toujours très aimable de ce lieu, très calme et je me sens toujours très culturel ici, en particulier dans la partie intérieure, qui présente beaucoup d'objets culturels ou d'arts. Quoi que je ne m'attendais pas.